Sunday, December 11, 2005

Narnia - Histoire D'amour

When you are a child, and have wandered into an 'otherworld' through inky black words that fill pages that make up a book and weave a story, you no longer belong to this world. Your story is theirs, their story is yours. The integrity of the words to remain unchanged each time you return to them means that they have value and worth. The fact is is that you don't want them to read differently because, if they were, you would somehow be different as well. That is what the makers of this Chronicle lacked. Conviction. They must have never truly been a part of Narnia, for they sought to change it in ways that made the Narnian in me weep over the loss.
Where was the fear that made the witch pick up her skirts and 'fairly fly' when he roared? (for that matter, where was that scene?) and Where was the love that drew the children to Him? Why did the trees not bend low with Aslan's resurrection roar? Why did He not leap into the air for 'the most thrilling of all times' as Lucy and Susan rode upon Him? Where was the whittisism amidst the severity that reassured that all was well? Why when the enlarged battle scene was over was there not reverie? Was victory not as important as the sacrifice?
I did cry at the movie. Not because it touched me. I cried because part of the wonder and romance of childhood died in me.

There is a conversation in Jack's book. It was the conversation that captured me as a child. Made my heart 'sit up' with a 'deep knowing' that Aslan was Jesus:
"There are others still wounded." Aslan said while Lucy looked at Edmund's pale face, wondering if the cordial would have any effect.
"Yes. I know," Lucy, said crossly, "Wait a minute."
"Daughter of Eve!" said Aslan in a graver voice, "Others, too, are at the point of death. Must more people die for Edmund?"
Edmund soon stands and Aslan knights him on the field of battle while his sisters whisper to eachother a little distance away.
"Does he know?" Lucy whispered to Susan, "What Aslan did for him? What the arrangement with the witch really was?"
"Hush! No of course not, it would be too awful for him." said Susan
"All the same, I think he should know." said Lucy.

The producers didn't feel the need to keep this heart-altering moment in the film, and thus stole the integrity, value, worth... & my heart's connection.

The movie was well made, the special effects were amazing, the CG added (although it still isn't on the quality level of my dreams). I can't help feeling that it is a bit like the American Gospel. Watered down and cut up into neat little sections that fit into a package that can be apple-pie ordered and filed away.
Very safe. The problem is that Aslan isn't safe...... but He is good. The film was safe and good, but not true, not the Truth. Oh dear, what do they teach in Hollywood?

1 comment:

James Paul said...

This review was written from a true place within your heart. I agree that the film lacked soul, much like the newest Star Wars episodes. LWAW employed great effects, a captivating story line, but still came off flat.